Friday, July 29, 2011

tapeworm

The opening of our new gallery has progressed in my mind from 'place to park our inventory while we're not traveling' to 'all I can think about'. Don't tell Genna, he thinks I still have everything in it's proper perspective.

Thursday we moved in furniture. This morning I started bringing in all of what I like to call 'the giblets' (my nonsensical term for accessories). I drug in a full car load of pots, quilts, art books, and rugs and then met with my gallery neighbor Joey Bradley to work out the design for our new signage.

We'll have a vertical 'art gallery' banner hanging above the front door and window vinyl with 'Grushovenko Gallery, fine art and craft' on the window. I picked out this font:



which I thought was really au courant. Joey informed me that OCR A Extended is embarrassingly 2009 and totally gauche (my words, his sentiment). He basically told me that he could not be associated with such a loser, so in the end we settled on the font that Ed Ruscha uses in his paintings:



It's called 'tapeworm'



and Mr. Ruscha refers to it as:



and that's exactly what I was going for, so...perfect. Hopefully it will still be in vogue by the time the signage goes up next week. (I kid Joey. He was very sweet and helpful and I always appreciate his excellent advice.)

I had no idea that designers had such strong feelings about fonts. I did, however, know that most people have grown to hate comic sans with a white hot passion. My good friend Kathrine Allen-Coleman had a fantastic, foul mouthed little movie about the poor fellow on her facebook feed today. Enjoy! (Unless you're not a big fan of cursing, then please ignore.)

I'm Comic Sans, Asshole from joehollier on Vimeo.

Tuesday, July 19, 2011

triple crown!

Genna and I are back home after nearly a month on the road. This was our longest trip yet...3500 total miles driven. We'd like to say a huge thank you to all of our friends and clients in DesMoines, Omaha, Denver, and Madison that made this our best tour yet.

Here we are at the Joslyn Art Museum in Omaha:



Same place, Genna with a giant hypno head:



Same place, me riding a pencil:



Genna running from a T-rex on his birthday (I wish I had video of this as right after this moment his funny face turned to a fearful face as he went running out of control down the hill, eating it at the bottom. He wasn't hurt.):



and us in the Rocky Mountains:



I'm also delighted to report that we won an award at all three of our festivals! Genna's calling it the 'triple crown'. Best of show in DesMoines, Juror's Award in Denver, and an Invitational award in Madison. The best thing about this is that we're now jury exempt for those shows next year. All of my festival friends out there will know how much this means. The jury process for these shows is so competitive that it's not at all unusual to have a great show in a city one year and then wait several years to get back in. So, yay!

Our other big news is that while we were away, a full studio opened up at the Flat Iron Studios building here in Greenville. Our good friend and artist Kent Ambler had graciously offered to split his space there with us so we already had plans to join the Flat Iron family, but we're even more excited that we'll now have a full gallery/studio space to play around with. We'll start our move in process tomorrow so I'll have lots more soon about our new partners, future plans, and the before/after of our new place.

Sunday, June 19, 2011

Engine # 6


Every once in a blue moon, we make something that I step back and see and say "that's exactly what I had hoped to do". I finished a piece this week that was one of those. She's called 'Steam Engine' (oil on linen, 36" x 48"). Mine and Genna's layers married just right here and I think additionally I broke some new ground with my treatment of the foliage in the upper right quadrant. It's also a lot of intricate work that I think reads as easy and whole. Yay!

I just looked up how often a blue moon is and it says approximately once in 3 1/2 years. So, maybe I make something that really tickles me two or three times in a blue moon!

Here's the last piece that made me really happy:


'New Truck', oil on linen, 36" x 36"

I made it about a year ago and have it hoarded up hanging in my living room.

Tuesday, June 14, 2011

"Memento" at Wynn Bone





Big thanks to gallerist Wynn Bone who is hosting our solo show "Memento" through the end of this month. Wynn's gallery is a lovely, light-filled, second floor space on Main Street in downtown Annapolis. If you're in the area and looking for the show, you'll find it above the fine jewelry shop 'Casa Nova'.

Wynn did a beautiful job installing the show, giving each piece plenty of room to breathe. My favorite part of the show was the treatment of the small works. Due to the tiny amount of real estate we're used to having at festivals, I'm used to seeing my little babies in clusters of as many as 15 at a time. Wynn hung only 3 of the 6 or 7 small pieces we brought, giving each one plenty of elbow room. I loved the effect of this...making each little piece seem like a jewel.

We've been working with Wynn for over a year but this was our first time at the gallery. I was really taken with the stable of artists he has put together. Each artist seemed entirely different on first glance, yet there was a strong connection amongst them. It's hard to say exactly how to name this connection, but I think it has to do with technique and surface quality. Each artist (figurative, abstract, landscape) had a unique process for layering a lush, deep surface that hooks you into long-time-looking.

Building a strong 'artist family' at a gallery has to be in the top 3 most important jobs of a gallerist. Several clients at the show mentioned to us that they collect from almost all of Wynn's artists and that they trust Wynn to bring the goods every show. Check out his artist catalog online at www.wynnbonegallery.com.

Kudos, Wynn.

P.S. I loved his dog.

Monday, May 23, 2011

art closet

I've made about 8 mid to large sized paintings in my new studio...'fondly' referred to as my 'art closet' due to it's massive size...and the jury is still out. The former owner of our house was an accountant who worked from home and the studio was her office. Counter tops wrap around the room on three walls leaving only about 4 or 5 feet of floor space in width. This means that I have to stand with my canvas parallel to the long side of the room and re-orient the canvas over and over to get out of the room or to step back and see what I'm up to.

If you're a painter, you understand how important the stepping back is. Its almost impossible to see what you're up to if you can't get 10-15 feet back from a large piece. I think if we rip out all of the counters and take off the studio door I'll be able to get enough distance by stepping out into the hall. That's all on my to-do list but might have to wait until winter!

Here's a peek at my art closet. And yes, if you look hard enough you'll see Oprah, Hank Hill, and the Cake Boss.








Tuesday, May 17, 2011

In the Greenville Journal

Big thanks to Cindy Landrum at the Greenville Journal for this great article, and Art & Light owner Teresa Roche for putting us together. We had such a great talk with Cindy that I forgive her for quoting me as saying that I'm a lazy painter. (I really did say that, I should have just prefaced it with 'this is off the record'! I say that to people constantly so it was just a matter of time before it became public record.)

The article is also about Artisphere, which was a great show for us...including a second place ribbon. Congrats to our good friend and art crush Lisa Norris for trumping us with best of show.



By Cindy Landrum
MAY 12, 2011

After Signe and Genna Grushovenko became partners in life, they really didn’t set out to become partners in art, too.
That’s something that began to happen gradually a couple of years into their marriage.

Because Signe Grushovenko was used to drawing with pastels on colored paper, she did not want to paint on a white canvas.

Genna, who was stretching and preparing the canvases that his wife would use, began underpainting. Soon, he began to turn the underpainting into more than just a bottom coat of color. They became abstract paintings in themselves.

He turned the canvases over to Signe, who uses her collection of a couple thousand vintage photographs ranging from old family photos to flea market and antique store finds as inspiration for the scene she paints over Genna’s colorful abstract canvases.

The Grushovenkos, who moved to Greenville in February, will join 10 other local artists chosen for artist row for this year’s Artisphere.

Artisphere, which is rated in the top 20 for art festivals in the United States, runs Friday through Sunday.

The 120 visual artists were chosen in a blind-juried competition from among a record 784 applicants. Half of the artists, including the Grushovenkos, are participating in the three-day festival are new to the festival.

“That’s exciting,” said Kerry Murphy, Artisphere’s executive director. “We’re excited that many artists want to come to Greenville.”

The artists represent a variety of mediums: ceramics, drawing, glass, jewelry, oil painting, acrylic painting, watercolors, photography, printmaking, sculpture and woodworking.

The artists aren’t the only things new.

The festival will feature artist demonstrations by local artists. Festivalgoers can watch a potter throw clay pots, an artist painting with wax and a blacksmith tying an Appalachian broom.

Gone are the food and beverage tickets, as cash will be accepted for the first time at all the food booths. The food vendors are using recyclable paper products, while beer and wine will be sold in recyclable cups.

Returning to the festival is crowd favorite, Brian Olsen. Olsen uses his fingertips, elbows and up to three paintbrushes at a time to create large paintings of pop icons during a single song.

Musical performances are highlighted by Sonia Leigh on Friday and Cory Chisel and the Wandering Sons on Saturday.

The Artists of the Upstate juried exhibition is hanging at Centre Stage.

Signe Grushovenko said while Genna’s part of the paintings got more complex, hers got simpler.

“I select what portion of his work to feature,” she said. “I am harnessing moments in his very free creative process.

Genna, who is from the Ukraine and completed compulsory service in the Soviet Army, said he has no preconceived notions of what his underpaintings will look like when he starts.

Sometimes, Signe tries to tell him what colors or patterns she needs.

“That’s the only thing we fight about anymore,” she said.

Genna said his painting is a “jazz-like process.” “Sometimes, it’s hard to control,” he said. “Any restriction on my creativity does not serve me well. It’s a very fluid and spontaneous process.”

Sometimes the process creates an underpainting that Signe doesn’t originally think she can use.

“It pushes her to make some difficult decisions,” he said.

Genna said it’s difficult to duplicate the process because he paints outside and weather conditions can affect his results because he uses very thin paints.

“The unpredictability is part of the fun for me,” he said.

Signe said she is drawn to vintage photographs because of the patterns created by the groups of people, including the shapes between them and the repetition of arms and legs.

“Signe selects a photograph for a feeling,” he said.

Signe’s first painting from a vintage photograph used a picture of her great grandparents.

“I felt a real resonance with black and white photos,” she said. “They give me freedom of color.”

She doesn’t base many of her paintings on family photographs anymore.

“Some of the photographs I use once and some I go back to over and over,” she said.

She likes early century photos because “people made such great shapes in their clothes.”

Signe, like Genna, doesn’t know exactly where she’s headed when she begins a painting. But she knows when it’s finished.

“I’m kind of a lazy painter. I like to be done,” she said. “It’s easy to overpaint.”

The Grushovenkos are looking forward to their first art show in their new hometown.

The move first came up when a pair of very close friends moved to Spartanburg. There was nothing left to keep the Grushovenkos in LaGrange, Ga.

The first time they came to Greenville – for Open Studios – they were convinced to move.

“We were thinking it would be a long process, but we were here in within three months,” she said.

Although the move added some travel time to their outdoor art show circuit which is usually around a dozen art shows around the country, the move has been a good one, Signe said.

“Coming from a town where we were the only full-time artists in town to here, where there is a talented group of artists who were very welcoming, I was blown away,” she said.

Sunday, May 8, 2011

Art & Light Installation


We've been busy beavers since my last post (two months ago...embarrassing). Two trips to Texas, one to Kansas City, and a bunch of other stuff I can't remember right now. The one bit of doin' I'm most excited to report is that we've just opened our first exhibition here in our new hometown of Greenville SC.

I was in Art & Light the first time last November when Genna and I were just considering our move. I was so impressed with the quality of the artists and the clever, current style of the displays that I figured Greenville couldn't be half bad! Gallerist and designer Theresa Roche presents her artist's works alongside carefully chosen mid century furniture and lighting. She has an awesome eye and a great sense of humor (uber important to good design).

So, we were incredibly honored that our G'ville coming out party took place at Art & Light. Theresa visited our studio a few weeks before the opening to preview the work in order to chose furniture and accessories as appropriate accompaniments. The result is one of my favorite installations of our work ever. My favorite part is the vignette in the rear of the gallery featuring our 'Secondary Class Portraits I & II' (24" x 72" each panel) and 'Pre Poker' hanging above the 100" 60's Henredon sofa. The fabric on the sofa is original and converses brilliantly with the underpainting in the class portrait.

If you're in the area in May, go by and check it out. Also on site are our good friends Joey Bradley and Kent Ambler and many other fantastic local artists. For gallery hours and other info, visit A & L online at www.artandlightgallery.com.

Sunday, March 6, 2011

swagger

I'm noticing that all of my new fave subjects have 'swagger' in spades. I've been obsessed with painting pants for years now and I'm thinking that the swagger factor is actually the underlying interest there. Here are my newest boys:


"Power Play", 48" x 36" oil on linen (farm house swagger)

And stepping back through the last few projects:


"Prowd Owner", 24" x 48" oil on linen (20's swagger)



"Sunday Drivers", 36" square oil on linen (cruising swagger)



"Buff Beachgoers", 40" x 30" oil on linen (pantsless swagger)



"Swaggering Foursome", 30" x 40" oil on linen (slow-mo walk swagger)



& "Plain White Tee", 36" x 48" oil on linen (Rebel Without a Cause swagger)

Sexy, yah?!

Saturday, February 12, 2011

'peek-a-boo'

About a year ago, my good friend and fellow artist Cora Waterhouse turned me onto to Robert Genn's twice weekly email letter. Mr. Genn is a brilliant painter and writer who consistently offers thought provoking insights on all topics art related...the craft of painting, sources of inspiration, the natural world, work habits, art book reviews, brain science, art world politics, etc., etc. I read the twice weekly letter religiously and it has ALWAYS been worth my time.

The second letter of this past week was fantastic and shed light on something that I've always felt to be true about my own work but couldn't explain why. This is the idea of 'equivocation' or intentional ambiguity. There is a magic balance in abstract/representational painting where you reach a point that something is 'just enough'. Stepping over that line for me can absolutely ruin a piece; connect too many dots and the picture disappears. Here's what Robert had to say:

"A few minutes ago I was watching a young couple staring at a huge abstract painting in a commercial art gallery. The painting was mysterious, dark, tentative--with perhaps, only perhaps, the whisper of a female figure. Previously, when I'd daringly checked out its very high price, a gallerista swept by and assured me, "We sell a lot of this man's work."

Now I'm sitting on a bench eating coconut ice cream while keeping abreast of brain science on my iPad. V.S. Ramachandran is a professor of neuroscience and psychology at the University of California, San Diego. Looking into various brains, including the brains of people who look at art, he's come to the conclusion that things are better when they are less visible. He calls it "The Peekaboo Principle." In his research, it seems that girls in scanty clothing are more appealing to the average straight male than girls in the buff. To be fair, these findings have been challenged by every frat house west of the Pecos.

According to Ramachandran, concealment works because we are hardwired to solve puzzles. People get turned on by problem solving.

Further, curiosity is more arousing than the part where you get the message. This is how Ramachandran explains the popularity of abstract art. It seems our tiny perfect brains are forever on the lookout for wizardry. He thinks we are hardwired for what he calls "ultranormal stimuli." Yep, it's a bit like religion--many people crave the possibilities of the transcendent, the divine, the paranormal."

To subscribe to Robert Genn's free twice weekly letter, follow this link. It should get you to the current letter, then there's a 'subscribe' button towards the top. You won't be sorry!

Monday, January 17, 2011

in the paper!

Hi all! Our gallery changes were featured on the front page of the LaGrange Daily News last week. They did such a lovely job with the article, I thought I'd post it here. With our move progressing quickly, things are constantly happening I'd like to tell everyone about but just don't have time! More soon.

Studio gains new faces as artists bid farewell
By Trey Wood Staff writer LaGrange News



Robyn MIles / Daily News

Artists in Residence founding members Signe and Genna Grushovenko are preparing to leave LaGrange for new artistic ventures in Greenville, S.C. To their right are some new faces and some familiar ones who will be leading the art studio. From left are new members Sandy Cox and Dawn Douglas, longtime members Terri Codlin and Guthrie Killebrew, and new members Connie Wilkerson and Cora Waterhouse. Not present is longtime member Melinda Clair.

Founding members Genna and Signe Grushovenko are preparing to move to Greenville, S.C., where they will work from home as painter and potter, and collaborate together.

It was a tough decision. LaGrange is their home. It’s where they met, fell in love and married.

She is a LaGrange College graduate who made the community her home, and he has been a mainstay in the local art scene since fellow Artists in Residence founders found him working janitorial services at LaGrange Mall after moving to Georgia from Kiev, Ukraine.

It’ll certainly be a change in landscape.

“Friends of ours went with the most recent Milliken move to the Greenville area, and we are godparents to their kids and we’ve been friends for a really long time,” Signe Grushovenko said.

The couple didn’t think they had the ability to pick up their lives and move, but, “Here we are, I think it’s only three months later, and we’re on our way,” she said.

The love between Signe and Genna Grushovenko has been a collaboration of both art and life. The two come from completely different backgrounds – she from Michigan and he from Ukraine, but together they’ve helped shape a thriving art community built from pots and paints, mixed media and oil.

Now, 12 years later, they’re leaving that community as a thriving and living organism. They’ll take their art on the road, continuing their practice of participating in festivals all over the country while having studio space in their house.

“The big shift is that Signe has been here. She’s been with (Artists in Residence) for 12 years, but she’s really been the driving force in many ways in this whole co-op,” said Cora Waterhouse, now managing partner and painter at Artists in Residence. “I’m taking Signe’s place.”

Waterhouse and the new additions to Artists in Residence have big shoes to fill. Besides being heralded artists among indie scene followers for their collaboration oil paintings, the Grushovenkos are LaGrange mainstays. They’re teachers and artists. And Signe Grushovenko is co-director for the Visual Artists Alliance of LaGrange, another group of local artists.

“We’re going to have to shift around a good bit in the Visual Artists Alliance as well,” Waterhouse said. “We have done a lot of work over the last four years, and a lot of that’s been Signe, so it’s going to be tough – tough working without her.”

Waterhouse will be joining Melinda Clair, Terri Codlin and Guthrie Killebrew, along with new additions in Sandy Cox, Dawn Douglas and Connie Wilkerson.

A few of the new artists, including Waterhouse, are teachers at LaGrange Art Museum and will bring those classes to Artists in Residence, ushering in a host of new faces, along with utilizing the studio space for other ventures.

“The biggest shift is in people, and that’s a huge shift,” Waterhouse said.

Overall, Signe and Genna Grushovenko are leaving Artists in Residence as a well-oiled and well-maintained machine. Its wheels and gears will continue to turn, even without some of the founding members working in its hallways.

“The thing I’m most thankful for about this move is Artists in Residence is going to continue on without us,” Signe Grushovenko said. “This has just been such a great growth experience for me and my husband. We’re just really thrilled that we have four new people coming, and this place is still going to be healthy and happy when we go.”

Artists in Residence will give the couple a send-off with a farewell party from 7 to 9 p.m. Friday in the studio at 300 S. Greenwood St. There also will be a reception for new members joining the AIR fold.

The occasion will be called Fresh AIR, signifying a breath of fresh air into the studio with a host of new artists calling the place home, and a breath of fresh air for two of the studio’s founding members.

“We’re leaving this place in good hands and ready to move forward and start something new, start something fresh,” Signe Grushovenko said.

Sunday, January 2, 2011

my most prized

I am in the process of packing up my studio, Genna's studio, and our house. We've been 12 years at our studio and 8 years in our home and it is SHOCKING what a person can accumulate in that amount of time. I've been particularly freaked out about the gallery...each time I think I've got a handle on it, I open a closet or cabinet door and SURPRISE!

I'm not here to complain, though. I love nearly all of my things and they are well worth the time and hassle it takes to properly pack them and carry them across state lines. What I want to tell you about today is how much great stuff I have!

We've been living in the middle of a construction site for most of the 8 years we've been in our house. Half of it is now lovely (restored hardwood floors, crown molding, high ceilings, period details) and the other half would still look at home in a cracky trailer park (cheap fake wood paneling, ancient oatmeal colored carpet, sway-backed dropped ceilings). Because we never finished this project, I've never properly displayed much of our art collection, accumulated through purchases, gifts, and trades since I started college in 1992. Packing it up I've been seeing it with fresh eyes and falling in love all over again.

I'm going to show you one thing today...my very most prized possession...and then maybe a few more things from our collection later on. Here she is:



She is an untitled original watercolor on paper made by our good friend Keith Rasmussen in 1975, just a year after I was born. This piece hangs in our bedroom on the wall to my right as I lay looking out. It's like a master class in painting laying and studying it each morning.

When I met Keith, he was the director of the Chattahoochee Vallery Art Museum here in LaGrange. I was honored to have many opportunities to see him work over the 10 years or so that I knew him, and each time it was like absolute magic. I've seen him draw and paint and work on lithographic plates and never once saw him make a stray mark. He could look at his subject and render it seemingly effortlessly.

This particular composition is made up of a girl, two intricately detailed baskets, and a black bird (amongst other things). You know I have a thing about black birds, right? The bird brings an unexpected, allegorical flavor to the otherwise everyday scene.



You can see many more examples of Keith's work and read his story at www.keithrasmussen.com. Keith died of pancreatic cancer in 2006 but his lovely wife, my good friend Mary Ann Rasmussen, continues to represent him and his work. Take the time to check it out, I promise it will be well worth your time.

ps...Here it is in it's place!

Sunday, December 12, 2010

signe's holiday wish list!

Genna and I are not exchanging gifts this year since we're buying each other a house (although I secretly ordered myself a gift of new china today...shhh!). We're also scaling back on gift giving with family.

We've always been crazy Christmas gift givers with a full-on orgy of presents on Christmas Eve and Santa bringing gifts for ALL, young and old, on Christmas morning. This year we've gone to 'kids only' and I unfortunately don't qualify at 36 (our 20 year old Nastiya made it just under the wire, lucky girl).

So, my December spending bonanza has been brutally curtailed and I'm suffering from a little shopping withdrawal. Looking for relief from the retail d.t.'s today I decided I'd do some online searching of my favorite artists and share with you what I would be asking for if I was asking.

ENJOY!


This is the 'birthday suit candy dish' by one of my new art idols Jenny Mendes. I found Jenny at the Kentuck festival in Tuscaloosa and bought her quirky, sweet, subversive little bowls for all of my studio co-op partners. She has scads of new pieces in her etsy store that have all my chakras spinning.



"Wallflower" (24" square) is my most recent fave by Kathrine Allen-Coleman. I love every piece from this series, but this one also hearkens back to my 70's childhood wardrobe. One of you should snap this up to save me from myself...if I run across it in person at one more festival I'm going to have to bring it home. Kathrine wrote about this particular piece on her blog.



"Midnight Gathering" by Kent Ambler. I have a thing about black birds, bare branches, and smoky teal, so this is ticking all the boxes.



"Bottles" from Greg Turco's 'Ruins' series. I have 3 or 4 of Greg's beautiful photos that I've never had room to hang. Maybe they'll finally make it out of storage in our new place.



Mmmmmmm. My friend Scott Coleman posts a beautifully rendered little cupcake painting every day. This one is from back in October but there are also lots of great holiday ones to choose from.



"Knack" in Greenville specializes in re-contextualized furniture and 'found goodness', but they had me at 'moose head made out of old newspapers'. I discovered Knack through my new friend Theresa at Art & Light gallery in Greenville. Theresa is an excellent gallerist and curator who always has a fantastic collection of artists and mid century mod furniture on display.

OK, my eyes are tired now. Maybe more wish list later. Anyone else want to share their holiday handmade gift dreams?

Tuesday, December 7, 2010

Last. Mini. Ever.



I spent this weekend with my last ever batch of minis...a set of eight little couples, each six inches square and framed in black. Why no more minis? They're a pain in my ass. Each one takes easily as much time and effort as a piece nine times it's size, plus I have to hold my breath with each stroke to keep the brush steady enough for such tiny strokes.

All that said, these are some charming little buggers! Regularly priced at $150, these are $120 each through February with our 20% moving sale discount. Shipping is free as always. See the whole series plus a dozen new small pieces at www.grushovenko.com.

"Moving Sale" works are going fast with nearly a dozen pieces sold since we started it yesterday so check it out quick!

Monday, November 29, 2010

on the move!

Genna and I are just back from Gerton, NC where we spent a lovely week on the side of Bearwallow Mountain with my folks for Thanksgiving. On our way there, we stopped in Greenville, SC and BOUGHT A HOUSE! Here we are in front of our new place:



We're closing in mid-January and beginning our move in early February. We are both excited ane terrified. For those of you who don't know us well, Genna and I have been partners in a co-operative gallery and studio facility in downtown LaGrange GA for more than 12 years. Our artist partners have become like our second family and we've all grown together in our lives and careers. Upon our move to Greenville, we'll be working from home. Anyone out there who works from home and has advice for me on how to make this transition, my ears are open.

We'll be making an effort to whittle down our personal art collection through adopting out some of our babies and our art inventory by way of a big moving sale, so stay tuned!

Thursday, November 11, 2010

an oldy...hopefully goody

I think I've mentioned before that sometimes as my 'artist skillset' evolves, I don't only gain things but often lose things, too. I look back at drawings from my highschool days and long for the laser focus I could hold for hours on end, rendering scenes with photographic precision. Nastiya still has this skill in spades, so maybe that has something to do with stage of life.

Before Genna and I began collaborating, I was creating texture and interest in my work with heavy 'impasto' style brushwork. As Genna brought me increasingly complex and nuanced 'start points', my painting style became increasingly flat and broad. This shift made images that used to be no brainers a huge challenge for me. I revisited one such image last week with "Logsled". Here is a 'pre-Genna' version, circa 2003:


(Logsled, oil on canvas, 85" x 65")

Each log end is a single, heavy brushstroke where the brush was loaded with multiple variations of the taupe color. The edges of some strokes are ragged and stuttering, a technique I have completed abandoned for now.

Here we are circa 2006. Simplification had begun but the underpainting process had not fully matured:


(Logsled, 40" x 30" oil on canvas)

And here's the current version, circa last week:


("Logsled", oil on linen with metallic acrylic underpainting, $2600)

Different, no? Check back in five years and I'll make it again!

Monday, November 8, 2010

my new favorite things



Last month I met ceramic artist Jenny Mendes at the Kentuck Art Fest in Tuscaloosa. I had seen her work there the year before and had despared at having not purchased any of her lovely, strange, sensitive little bowls then. Jenny had probably 100 of these enchanting little guys on view at the show and then further confused me by bringing me behind her booth to sift through a box of probably 100 more.

Her intimately sized creations would make lovely holiday gifts! Check her out at www.jennymendes.com.

Tuesday, October 26, 2010

gia miminoshvili



This is a sculpture by our winter 'artist in residence' Gia that was completed while he and Genna were working together in Ukraine. I'm not sure what type of work Gia will be making while he's with us as he is both potter and painter. Please see the previous post if you have no idea what I'm talking about.

two month catchup

It's been so long I don't even know what to tell you! Our fall schedule is nearly over and we're delighted to be back home. Our shows were all great (well, maybe more like 3 out of five!) and we took second place overall at the Bayou City show in Houston. Bayou City spring and fall have been consistently strong shows for us for three years and our win means that we're jury exempt for both installments in 2011/2012. What a relief to know at least one show we'll be in next year! To attend 15 shows in a year we generally apply to 30 or so.

Sausalito was FANTASTIC. I've never spent so much money to do a show before and it was absolutely terrifying but ultimately worth it. Genna was right about the big class portrait paintings. We brought two 4' x 5' versions and found new homes for both of them.

I came home thinking about the three months unfurling ahead of me with nothing to do but whatever I feel like. That lasted about a week before I hear from Genna that his good friend Gia Miminoshvilli got approved for a visa to come visit. Gia was one of Genna's early artistic mentors in Ukraine who helped him learn his craft as a potter. Originally from soviet Georgia, Gia now lives in Kiev (where Genna's from). Gia will be here at least a month, living and making art with us. At the end of his visit we'll be launching a show for him somewhere. Somewhere. Then Gia wants us to come to Georgia (the soviet one) to do a three man show with him there. Oh, and Genna's mom is going to come visit for two months this winter. The unfurling of my boundless free time has halted and begun refurling! [If you're reading this, Gia, we're totally stoked that you're coming...I just enjoy complaining.]

Here's Gia and Genna outside Gia's Kiev studio in 2006:



and in the studio, doing what they do in the studio (shooting vodka):



and with him and Genna's brothers Sasha and Costya once the singing started!



That's what our studio will look like through December!