Tuesday, May 17, 2011

In the Greenville Journal

Big thanks to Cindy Landrum at the Greenville Journal for this great article, and Art & Light owner Teresa Roche for putting us together. We had such a great talk with Cindy that I forgive her for quoting me as saying that I'm a lazy painter. (I really did say that, I should have just prefaced it with 'this is off the record'! I say that to people constantly so it was just a matter of time before it became public record.)

The article is also about Artisphere, which was a great show for us...including a second place ribbon. Congrats to our good friend and art crush Lisa Norris for trumping us with best of show.



By Cindy Landrum
MAY 12, 2011

After Signe and Genna Grushovenko became partners in life, they really didn’t set out to become partners in art, too.
That’s something that began to happen gradually a couple of years into their marriage.

Because Signe Grushovenko was used to drawing with pastels on colored paper, she did not want to paint on a white canvas.

Genna, who was stretching and preparing the canvases that his wife would use, began underpainting. Soon, he began to turn the underpainting into more than just a bottom coat of color. They became abstract paintings in themselves.

He turned the canvases over to Signe, who uses her collection of a couple thousand vintage photographs ranging from old family photos to flea market and antique store finds as inspiration for the scene she paints over Genna’s colorful abstract canvases.

The Grushovenkos, who moved to Greenville in February, will join 10 other local artists chosen for artist row for this year’s Artisphere.

Artisphere, which is rated in the top 20 for art festivals in the United States, runs Friday through Sunday.

The 120 visual artists were chosen in a blind-juried competition from among a record 784 applicants. Half of the artists, including the Grushovenkos, are participating in the three-day festival are new to the festival.

“That’s exciting,” said Kerry Murphy, Artisphere’s executive director. “We’re excited that many artists want to come to Greenville.”

The artists represent a variety of mediums: ceramics, drawing, glass, jewelry, oil painting, acrylic painting, watercolors, photography, printmaking, sculpture and woodworking.

The artists aren’t the only things new.

The festival will feature artist demonstrations by local artists. Festivalgoers can watch a potter throw clay pots, an artist painting with wax and a blacksmith tying an Appalachian broom.

Gone are the food and beverage tickets, as cash will be accepted for the first time at all the food booths. The food vendors are using recyclable paper products, while beer and wine will be sold in recyclable cups.

Returning to the festival is crowd favorite, Brian Olsen. Olsen uses his fingertips, elbows and up to three paintbrushes at a time to create large paintings of pop icons during a single song.

Musical performances are highlighted by Sonia Leigh on Friday and Cory Chisel and the Wandering Sons on Saturday.

The Artists of the Upstate juried exhibition is hanging at Centre Stage.

Signe Grushovenko said while Genna’s part of the paintings got more complex, hers got simpler.

“I select what portion of his work to feature,” she said. “I am harnessing moments in his very free creative process.

Genna, who is from the Ukraine and completed compulsory service in the Soviet Army, said he has no preconceived notions of what his underpaintings will look like when he starts.

Sometimes, Signe tries to tell him what colors or patterns she needs.

“That’s the only thing we fight about anymore,” she said.

Genna said his painting is a “jazz-like process.” “Sometimes, it’s hard to control,” he said. “Any restriction on my creativity does not serve me well. It’s a very fluid and spontaneous process.”

Sometimes the process creates an underpainting that Signe doesn’t originally think she can use.

“It pushes her to make some difficult decisions,” he said.

Genna said it’s difficult to duplicate the process because he paints outside and weather conditions can affect his results because he uses very thin paints.

“The unpredictability is part of the fun for me,” he said.

Signe said she is drawn to vintage photographs because of the patterns created by the groups of people, including the shapes between them and the repetition of arms and legs.

“Signe selects a photograph for a feeling,” he said.

Signe’s first painting from a vintage photograph used a picture of her great grandparents.

“I felt a real resonance with black and white photos,” she said. “They give me freedom of color.”

She doesn’t base many of her paintings on family photographs anymore.

“Some of the photographs I use once and some I go back to over and over,” she said.

She likes early century photos because “people made such great shapes in their clothes.”

Signe, like Genna, doesn’t know exactly where she’s headed when she begins a painting. But she knows when it’s finished.

“I’m kind of a lazy painter. I like to be done,” she said. “It’s easy to overpaint.”

The Grushovenkos are looking forward to their first art show in their new hometown.

The move first came up when a pair of very close friends moved to Spartanburg. There was nothing left to keep the Grushovenkos in LaGrange, Ga.

The first time they came to Greenville – for Open Studios – they were convinced to move.

“We were thinking it would be a long process, but we were here in within three months,” she said.

Although the move added some travel time to their outdoor art show circuit which is usually around a dozen art shows around the country, the move has been a good one, Signe said.

“Coming from a town where we were the only full-time artists in town to here, where there is a talented group of artists who were very welcoming, I was blown away,” she said.

Sunday, May 8, 2011

Art & Light Installation


We've been busy beavers since my last post (two months ago...embarrassing). Two trips to Texas, one to Kansas City, and a bunch of other stuff I can't remember right now. The one bit of doin' I'm most excited to report is that we've just opened our first exhibition here in our new hometown of Greenville SC.

I was in Art & Light the first time last November when Genna and I were just considering our move. I was so impressed with the quality of the artists and the clever, current style of the displays that I figured Greenville couldn't be half bad! Gallerist and designer Theresa Roche presents her artist's works alongside carefully chosen mid century furniture and lighting. She has an awesome eye and a great sense of humor (uber important to good design).

So, we were incredibly honored that our G'ville coming out party took place at Art & Light. Theresa visited our studio a few weeks before the opening to preview the work in order to chose furniture and accessories as appropriate accompaniments. The result is one of my favorite installations of our work ever. My favorite part is the vignette in the rear of the gallery featuring our 'Secondary Class Portraits I & II' (24" x 72" each panel) and 'Pre Poker' hanging above the 100" 60's Henredon sofa. The fabric on the sofa is original and converses brilliantly with the underpainting in the class portrait.

If you're in the area in May, go by and check it out. Also on site are our good friends Joey Bradley and Kent Ambler and many other fantastic local artists. For gallery hours and other info, visit A & L online at www.artandlightgallery.com.

Sunday, March 6, 2011

swagger

I'm noticing that all of my new fave subjects have 'swagger' in spades. I've been obsessed with painting pants for years now and I'm thinking that the swagger factor is actually the underlying interest there. Here are my newest boys:


"Power Play", 48" x 36" oil on linen (farm house swagger)

And stepping back through the last few projects:


"Prowd Owner", 24" x 48" oil on linen (20's swagger)



"Sunday Drivers", 36" square oil on linen (cruising swagger)



"Buff Beachgoers", 40" x 30" oil on linen (pantsless swagger)



"Swaggering Foursome", 30" x 40" oil on linen (slow-mo walk swagger)



& "Plain White Tee", 36" x 48" oil on linen (Rebel Without a Cause swagger)

Sexy, yah?!

Saturday, February 12, 2011

'peek-a-boo'

About a year ago, my good friend and fellow artist Cora Waterhouse turned me onto to Robert Genn's twice weekly email letter. Mr. Genn is a brilliant painter and writer who consistently offers thought provoking insights on all topics art related...the craft of painting, sources of inspiration, the natural world, work habits, art book reviews, brain science, art world politics, etc., etc. I read the twice weekly letter religiously and it has ALWAYS been worth my time.

The second letter of this past week was fantastic and shed light on something that I've always felt to be true about my own work but couldn't explain why. This is the idea of 'equivocation' or intentional ambiguity. There is a magic balance in abstract/representational painting where you reach a point that something is 'just enough'. Stepping over that line for me can absolutely ruin a piece; connect too many dots and the picture disappears. Here's what Robert had to say:

"A few minutes ago I was watching a young couple staring at a huge abstract painting in a commercial art gallery. The painting was mysterious, dark, tentative--with perhaps, only perhaps, the whisper of a female figure. Previously, when I'd daringly checked out its very high price, a gallerista swept by and assured me, "We sell a lot of this man's work."

Now I'm sitting on a bench eating coconut ice cream while keeping abreast of brain science on my iPad. V.S. Ramachandran is a professor of neuroscience and psychology at the University of California, San Diego. Looking into various brains, including the brains of people who look at art, he's come to the conclusion that things are better when they are less visible. He calls it "The Peekaboo Principle." In his research, it seems that girls in scanty clothing are more appealing to the average straight male than girls in the buff. To be fair, these findings have been challenged by every frat house west of the Pecos.

According to Ramachandran, concealment works because we are hardwired to solve puzzles. People get turned on by problem solving.

Further, curiosity is more arousing than the part where you get the message. This is how Ramachandran explains the popularity of abstract art. It seems our tiny perfect brains are forever on the lookout for wizardry. He thinks we are hardwired for what he calls "ultranormal stimuli." Yep, it's a bit like religion--many people crave the possibilities of the transcendent, the divine, the paranormal."

To subscribe to Robert Genn's free twice weekly letter, follow this link. It should get you to the current letter, then there's a 'subscribe' button towards the top. You won't be sorry!

Monday, January 17, 2011

in the paper!

Hi all! Our gallery changes were featured on the front page of the LaGrange Daily News last week. They did such a lovely job with the article, I thought I'd post it here. With our move progressing quickly, things are constantly happening I'd like to tell everyone about but just don't have time! More soon.

Studio gains new faces as artists bid farewell
By Trey Wood Staff writer LaGrange News



Robyn MIles / Daily News

Artists in Residence founding members Signe and Genna Grushovenko are preparing to leave LaGrange for new artistic ventures in Greenville, S.C. To their right are some new faces and some familiar ones who will be leading the art studio. From left are new members Sandy Cox and Dawn Douglas, longtime members Terri Codlin and Guthrie Killebrew, and new members Connie Wilkerson and Cora Waterhouse. Not present is longtime member Melinda Clair.

Founding members Genna and Signe Grushovenko are preparing to move to Greenville, S.C., where they will work from home as painter and potter, and collaborate together.

It was a tough decision. LaGrange is their home. It’s where they met, fell in love and married.

She is a LaGrange College graduate who made the community her home, and he has been a mainstay in the local art scene since fellow Artists in Residence founders found him working janitorial services at LaGrange Mall after moving to Georgia from Kiev, Ukraine.

It’ll certainly be a change in landscape.

“Friends of ours went with the most recent Milliken move to the Greenville area, and we are godparents to their kids and we’ve been friends for a really long time,” Signe Grushovenko said.

The couple didn’t think they had the ability to pick up their lives and move, but, “Here we are, I think it’s only three months later, and we’re on our way,” she said.

The love between Signe and Genna Grushovenko has been a collaboration of both art and life. The two come from completely different backgrounds – she from Michigan and he from Ukraine, but together they’ve helped shape a thriving art community built from pots and paints, mixed media and oil.

Now, 12 years later, they’re leaving that community as a thriving and living organism. They’ll take their art on the road, continuing their practice of participating in festivals all over the country while having studio space in their house.

“The big shift is that Signe has been here. She’s been with (Artists in Residence) for 12 years, but she’s really been the driving force in many ways in this whole co-op,” said Cora Waterhouse, now managing partner and painter at Artists in Residence. “I’m taking Signe’s place.”

Waterhouse and the new additions to Artists in Residence have big shoes to fill. Besides being heralded artists among indie scene followers for their collaboration oil paintings, the Grushovenkos are LaGrange mainstays. They’re teachers and artists. And Signe Grushovenko is co-director for the Visual Artists Alliance of LaGrange, another group of local artists.

“We’re going to have to shift around a good bit in the Visual Artists Alliance as well,” Waterhouse said. “We have done a lot of work over the last four years, and a lot of that’s been Signe, so it’s going to be tough – tough working without her.”

Waterhouse will be joining Melinda Clair, Terri Codlin and Guthrie Killebrew, along with new additions in Sandy Cox, Dawn Douglas and Connie Wilkerson.

A few of the new artists, including Waterhouse, are teachers at LaGrange Art Museum and will bring those classes to Artists in Residence, ushering in a host of new faces, along with utilizing the studio space for other ventures.

“The biggest shift is in people, and that’s a huge shift,” Waterhouse said.

Overall, Signe and Genna Grushovenko are leaving Artists in Residence as a well-oiled and well-maintained machine. Its wheels and gears will continue to turn, even without some of the founding members working in its hallways.

“The thing I’m most thankful for about this move is Artists in Residence is going to continue on without us,” Signe Grushovenko said. “This has just been such a great growth experience for me and my husband. We’re just really thrilled that we have four new people coming, and this place is still going to be healthy and happy when we go.”

Artists in Residence will give the couple a send-off with a farewell party from 7 to 9 p.m. Friday in the studio at 300 S. Greenwood St. There also will be a reception for new members joining the AIR fold.

The occasion will be called Fresh AIR, signifying a breath of fresh air into the studio with a host of new artists calling the place home, and a breath of fresh air for two of the studio’s founding members.

“We’re leaving this place in good hands and ready to move forward and start something new, start something fresh,” Signe Grushovenko said.

Sunday, January 2, 2011

my most prized

I am in the process of packing up my studio, Genna's studio, and our house. We've been 12 years at our studio and 8 years in our home and it is SHOCKING what a person can accumulate in that amount of time. I've been particularly freaked out about the gallery...each time I think I've got a handle on it, I open a closet or cabinet door and SURPRISE!

I'm not here to complain, though. I love nearly all of my things and they are well worth the time and hassle it takes to properly pack them and carry them across state lines. What I want to tell you about today is how much great stuff I have!

We've been living in the middle of a construction site for most of the 8 years we've been in our house. Half of it is now lovely (restored hardwood floors, crown molding, high ceilings, period details) and the other half would still look at home in a cracky trailer park (cheap fake wood paneling, ancient oatmeal colored carpet, sway-backed dropped ceilings). Because we never finished this project, I've never properly displayed much of our art collection, accumulated through purchases, gifts, and trades since I started college in 1992. Packing it up I've been seeing it with fresh eyes and falling in love all over again.

I'm going to show you one thing today...my very most prized possession...and then maybe a few more things from our collection later on. Here she is:



She is an untitled original watercolor on paper made by our good friend Keith Rasmussen in 1975, just a year after I was born. This piece hangs in our bedroom on the wall to my right as I lay looking out. It's like a master class in painting laying and studying it each morning.

When I met Keith, he was the director of the Chattahoochee Vallery Art Museum here in LaGrange. I was honored to have many opportunities to see him work over the 10 years or so that I knew him, and each time it was like absolute magic. I've seen him draw and paint and work on lithographic plates and never once saw him make a stray mark. He could look at his subject and render it seemingly effortlessly.

This particular composition is made up of a girl, two intricately detailed baskets, and a black bird (amongst other things). You know I have a thing about black birds, right? The bird brings an unexpected, allegorical flavor to the otherwise everyday scene.



You can see many more examples of Keith's work and read his story at www.keithrasmussen.com. Keith died of pancreatic cancer in 2006 but his lovely wife, my good friend Mary Ann Rasmussen, continues to represent him and his work. Take the time to check it out, I promise it will be well worth your time.

ps...Here it is in it's place!

Sunday, December 12, 2010

signe's holiday wish list!

Genna and I are not exchanging gifts this year since we're buying each other a house (although I secretly ordered myself a gift of new china today...shhh!). We're also scaling back on gift giving with family.

We've always been crazy Christmas gift givers with a full-on orgy of presents on Christmas Eve and Santa bringing gifts for ALL, young and old, on Christmas morning. This year we've gone to 'kids only' and I unfortunately don't qualify at 36 (our 20 year old Nastiya made it just under the wire, lucky girl).

So, my December spending bonanza has been brutally curtailed and I'm suffering from a little shopping withdrawal. Looking for relief from the retail d.t.'s today I decided I'd do some online searching of my favorite artists and share with you what I would be asking for if I was asking.

ENJOY!


This is the 'birthday suit candy dish' by one of my new art idols Jenny Mendes. I found Jenny at the Kentuck festival in Tuscaloosa and bought her quirky, sweet, subversive little bowls for all of my studio co-op partners. She has scads of new pieces in her etsy store that have all my chakras spinning.



"Wallflower" (24" square) is my most recent fave by Kathrine Allen-Coleman. I love every piece from this series, but this one also hearkens back to my 70's childhood wardrobe. One of you should snap this up to save me from myself...if I run across it in person at one more festival I'm going to have to bring it home. Kathrine wrote about this particular piece on her blog.



"Midnight Gathering" by Kent Ambler. I have a thing about black birds, bare branches, and smoky teal, so this is ticking all the boxes.



"Bottles" from Greg Turco's 'Ruins' series. I have 3 or 4 of Greg's beautiful photos that I've never had room to hang. Maybe they'll finally make it out of storage in our new place.



Mmmmmmm. My friend Scott Coleman posts a beautifully rendered little cupcake painting every day. This one is from back in October but there are also lots of great holiday ones to choose from.



"Knack" in Greenville specializes in re-contextualized furniture and 'found goodness', but they had me at 'moose head made out of old newspapers'. I discovered Knack through my new friend Theresa at Art & Light gallery in Greenville. Theresa is an excellent gallerist and curator who always has a fantastic collection of artists and mid century mod furniture on display.

OK, my eyes are tired now. Maybe more wish list later. Anyone else want to share their holiday handmade gift dreams?