Friday, February 5, 2010

cliffside (couple a day #19)



Today's couple is another tiny one. I'm too tired to chat about it, so have a great weekend!

"Cliffside", oil on linen, 7" x 5", $200

Thursday, February 4, 2010

azalea portrait & green thumb (couple a day #18)





Today's couple is actually another pair. This is a new format for me (5" x 7") and I am loving it. By the end of the day today I think I will have made twelve this week. We're trying a new frame as well...they'll be gallery wrapped oil on linen presented in a 'floating' black frame so that you see a little of the painted edges.

I'm calling them "Singletons" in my head because the shape and size work best for single figures. Yesterday I was fantasizing about a whole show of singletons, maybe 200 or so, in a beautiful, clean gallery space. I'll let you know if that actually happens.

Girly is "Azalea Portrait", oil on linen 7" x 5" $200
Fella is "Green Thumb", oil on linen, 7" x 5", $200 (sold)

Wednesday, February 3, 2010

buff & beachcomber (couple a day #17)





Today's couple is another 'two-fer', a pair of 7" x 5" canvases. These are mine alone with no Genna flavor. Seeing these gives me a really clear idea of what Genna brings to the table...these are more subtle and settled without the jazz of the vibrant underpainting. I must admit that they're far easier to make! I draw on the white canvas instead of over a patterned ground then wash the drawings with color that I know will work with the final overlay of paint. It almost feels like cheating not having to wrestle the underlayers into submission!

The guy is "Buff", oil on linen, 7" x 5", $200
The gal is "Beachcomber", oil on linen, 7" x 5", $200 (or $350 for the pair)

Tuesday, February 2, 2010

blending in (couple a day #16)


So, this is the piece I was telling you I was really excited about last week. You're underwhelmed aren't you? Perhaps I oversold it.

The good and the bad about pursuing the same basic style of work for an extended period is that (for me anyway) changes come slowly. I have lots of time to fully explore and expand upon the set of ideas and parameters I'm working with. Day to day I see little change in what I'm doing, but year to year I see lots. For that reason I get really excited when I'm able to recognize even a small shift in thinking in a new piece.

So what's different about this one, right? I'm not quite sure yet. I believe it has to do with the overall porousness of the edges of the forms. Working on an active, mid toned ground pushes me to use super high contrast shifts to delineate shapes. Here I think I've managed to define the figures and separate out the levels of space without 'screaming' them into place. Maybe more about that later as I organize my thoughts.

"Blending In", oil on masonite, 16" x 12", $375 (sold)
(I don't love this title and am open to suggestions)

Monday, February 1, 2010

striped newlyweds (couple a day #15)


There are two full work weeks left until Valentine's Day and I'm nearly 'coupled' out. Ten couples left to go. I have to say, though, that this has been an excellent exercise for me. It's gotten me into the habit of posting, my posting habits until now have been sporadic at best, but better than that, it makes me think more about my work. It's helpful to be forced into applying a little verbage to a purely visual medium now and again.

Any-who. Today's offering is "Striped Newlyweds". As with many of the couple paintings, the actual subject matter here is entirely static...a little upright pair of figures with a horizontal horizon and some rectangular architecture behind. All of the action here comes from the big patches of underpainting, serving as organically shaped swatches of cloud and ground. While all of the elements in the composition are fully articulated, the spice is in the many purely abstract moments allowed to blossom all around.

It looks like they're standing on a rainbow.

"Striped Newlyweds", oil on masonite, 16" x 12", $375

Friday, January 29, 2010

on the rails (couple a day #14)



Today was a terrible day for pictures, but I think you can get the idea. This is "On the Rails" (oil on linen, 10" x 8", $300 (sold)); a study of wedges, rectangles, and stripes on stripes.

I finished something yesterday that has me tingly all over...something new I think. I'll post it tomorrow or Monday but I want to think about it a little more first.

Thursday, January 28, 2010

gentlemen farmers (couple a day #13)



Today's couple is "Gentlemen Farmers", lucky number 13. The posture of these two characters is what drew me to this composition...they're both sporting a very natty, casual attitude. My favorite thing, though, was the guy on the left's tie tucked into his overalls.

Genna's underpainting on this one is a subtle gem. Well, the color isn't so subtle, but when you get a good close look at it has an overall striping underneath the soft oil wash layer that unifies the whole surface. Click on it for a larger view and check out the right guy's hat brim and shirt and the bushy areas to the right and left of their boots.

"Gentlemen Farmers", oil on masonite, 16" x 12", $375