saudade

We recently received an email from a client who was interested in our painting "The Way Back". The  entire message was lovely and thought provoking but one particular line stood out to me.  It said "The saudade of your work is palpable and intoxicating."  This stood out mostly because not only did I have no idea what it meant but I had never even seen that word before.  Google defines it as:

'a Portuguese and Galician word that has no direct translation in English. It describes a deep emotional state of nostalgic or profound melancholic longing for an absent something or someone that one loves. 

Saudade was once described as "the love that remains" after someone is gone.  Saudade is the recollection of feelings, experiences, places or events that once brought excitement, pleasure, well-being, which now triggers the senses and makes one live again.'

Wow.  While this is a shade darker than we generally intend, it is a mood that we've always reached for.  The definition goes on to describe a feeling that is 'happy and sad at once', missing that which is gone but joyous that it was experienced at all.

Bless you, emailer, for adding to my vocabulary and giving me a deeper sense of what our work means.

an embarrassment of riches

Studio mate Joey brought me a great album of old photos a few months ago that touched off an all out photo buying free-for-all at the Grushovenko household. Over the course of a week or so I 'won' around a dozen ebay auctions for large lots of old pictures. Boxes of hundreds of new images began arriving at our house. For the first few days this was almost unbearably exciting, followed by days of mild excitement, followed by a few days of 'eh', followed by a feeling of mild nausea as if I had eaten too much sugar. I became so overwhelmed by the sheer number of possibilities that I basically had to hide them all from myself and turn back to some tried-and-true references for a while.

It's been long enough now that my image indigestion has abated and I have begun pulling out my new babies and working them into our repertoire. Here is a newbie, "Three Boating".


30" x 40" oil on linen, $1800

And here is "Four Layered Lounge"...my new favorite.


36" x 36" oil on linen, $2200


Many of our new purchases didn't make the cut for use in our work, and some of those have gone into a 'wallpaper' type project at the gallery:


Paintings in this photo are by our good friend Melinda Clair.

grushovenko gallery pics

Hi everybody! We're two weeks open at Grushovenko Gallery and I finally got around to taking a few photos. They start from the outside and proceed more or less from the font to the back. Genna built the wall just inside the front door facing out that has the bathing girls painting on it. It's on casters so it can be moved around the room and also provides storage for our extra pieces (Genna is a genius). The last few pics are of our neighbor Joey and his studio. Our spaces connect through the west wall.

Pics are clickable.

Grushovenko Gallery is open every Friday and Saturday from 10-5 and every first Friday of the month from 6-9. We're at 1203 Pendelton Street, Greenville.

Engine # 6

Every once in a blue moon, we make something that I step back and see and say "that's exactly what I had hoped to do". I finished a piece this week that was one of those. She's called 'Steam Engine' (oil on linen, 36" x 48"). Mine and Genna's layers married just right here and I think additionally I broke some new ground with my treatment of the foliage in the upper right quadrant. It's also a lot of intricate work that I think reads as easy and whole. Yay!

I just looked up how often a blue moon is and it says approximately once in 3 1/2 years. So, maybe I make something that really tickles me two or three times in a blue moon!

Here's the last piece that made me really happy:


'New Truck', oil on linen, 36" x 36"

I made it about a year ago and have it hoarded up hanging in my living room.

swagger

I'm noticing that all of my new fave subjects have 'swagger' in spades. I've been obsessed with painting pants for years now and I'm thinking that the swagger factor is actually the underlying interest there. Here are my newest boys:


"Power Play", 48" x 36" oil on linen (farm house swagger)

And stepping back through the last few projects:


"Prowd Owner", 24" x 48" oil on linen (20's swagger)



"Sunday Drivers", 36" square oil on linen (cruising swagger)



"Buff Beachgoers", 40" x 30" oil on linen (pantsless swagger)



"Swaggering Foursome", 30" x 40" oil on linen (slow-mo walk swagger)



& "Plain White Tee", 36" x 48" oil on linen (Rebel Without a Cause swagger)

Sexy, yah?!

Last. Mini. Ever.

I spent this weekend with my last ever batch of minis...a set of eight little couples, each six inches square and framed in black. Why no more minis? They're a pain in my ass. Each one takes easily as much time and effort as a piece nine times it's size, plus I have to hold my breath with each stroke to keep the brush steady enough for such tiny strokes.

All that said, these are some charming little buggers! Regularly priced at $150, these are $120 each through February with our 20% moving sale discount. Shipping is free as always. See the whole series plus a dozen new small pieces at www.grushovenko.com.

"Moving Sale" works are going fast with nearly a dozen pieces sold since we started it yesterday so check it out quick!

an oldy...hopefully goody

I think I've mentioned before that sometimes as my 'artist skillset' evolves, I don't only gain things but often lose things, too. I look back at drawings from my highschool days and long for the laser focus I could hold for hours on end, rendering scenes with photographic precision. Nastiya still has this skill in spades, so maybe that has something to do with stage of life.

Before Genna and I began collaborating, I was creating texture and interest in my work with heavy 'impasto' style brushwork. As Genna brought me increasingly complex and nuanced 'start points', my painting style became increasingly flat and broad. This shift made images that used to be no brainers a huge challenge for me. I revisited one such image last week with "Logsled". Here is a 'pre-Genna' version, circa 2003:


(Logsled, oil on canvas, 85" x 65")

Each log end is a single, heavy brushstroke where the brush was loaded with multiple variations of the taupe color. The edges of some strokes are ragged and stuttering, a technique I have completed abandoned for now.

Here we are circa 2006. Simplification had begun but the underpainting process had not fully matured:


(Logsled, 40" x 30" oil on canvas)

And here's the current version, circa last week:


("Logsled", oil on linen with metallic acrylic underpainting, $2600)

Different, no? Check back in five years and I'll make it again!

genna knows best

Genna nearly never tells me what to do...in our art and in our life..so when he does I pretty much have to do it.

He's been pressuring me lately to make some more images in our "Yearbook" series. These are images created from old yearbook contact sheets from the 1950's. For some reason, I just was not feeling it; probably because I'm lazy and they're a bit more work than our other series. I finally broke down and began one late last week and am SO GLAD I did. I think I sparked something new here and am already headed on to another.

Here is "Pete and Repeat Class Portrait: Soft Plaid", oil on linen, 60" x 48":

long tall drive, in process

After a tricky week in the studio (I'm not going to show you what I made as I don't want to prejudice anyone against my 'problem children'), I think I'm finally on a roll again. I haven't done a post showing the stages of a painting recently, so I decided I would today. Then I forgot what I was doing...so the first half of the piece wasn't documented.

Oh well! Here is "Long Tall Drive", 60" x 36":







I'll post a better photo of it was soon as we have a day with good light.

Have a great day, everybody!

ordering chaos

After leaving nearly my entire inventory of work at Bennett Galleries a month ago, I've been double-timing it in the studio. This is fairly standard practise for me as we are on the road in 'seasons' where I might not hold a paintbrush for months. It's always exciting to see what happens after a solid three or four weeks at the easel. I think I passed my 10,000 hour mark (Outliers, anybody?) a few years back and since then haven't felt like I was starting over each time I've been away, but it still takes me that month or so of intensive work to reach what feels like a new step in development.

All that to say that I've stepped into something new in the last few work days. I'm finding myself drawn to increasingly complex images, many of which include machinery (which I've never liked working with before). I'm employing a gridding system in order to get the most accurate possible drawing before beginning the paintings. Like this...



Here's that finished piece:



What's exciting me most about this is the challenge of creating a cohesive structure with many elements atop Genna's chaotic, free form underpaintings that still has a solid composition.

Wonder what's coming next week?!

(top image: "Smithy Fishers", oil on linen, 36" x 48", $2200
bottom image: "New Truck", oil on linen, 36" x 36", $1800)

i think i can talk about this now...

I've repeatedly referenced my 'secret commission' project recently in an effort to keep you all on the edge of your seats. You don't know what I'm talking about do you? Oh well, hold on to your socks 'cause I'm breaking my silence...

I was approached in January of this year by Allison Davis, head of marketing at West Georgia Health Systems here in LaGrange. WGHS is at the tail end of completing a major addition ("In addition to providing a new “front door” to health system, the four-story South Tower will include expansions of West Georgia Health System’s Intensive Care Unit (ICU), Cardiovascular Services, Labor and Delivery and the Emergency Departments"). To honor the architect of the expansion plan, hospital president and CEO Jerry Fulks, Allison and the executive board were interested in commissioning a large public work for the new lobby.

After lots of back and forth concerning image, size, placement, etc., our work was installed this week, just in time for the South Tower grand opening. The image is "Groundbreaking", oil on linen, 48" x 72" and will hang on the second floor of the new lobby, looking down onto the ground floor. CEO Fulks is the figure standing the farthest forward in the darkest suit.



While I wasn't originally super excited about the reference photo we used...


...a longer look brought me alot to get excited about. While each of the figures is basically upright, there is lots of great 'physical personality' here from man to man. I also love the slightly shifting repetition of the hands, shovel handles, and hard hats which create a quirky, stuttering rhythm across the composition. We used the plaid underpainting as a tongue-in-cheek reference to men's suiting material. All in all I'm very excited about how it turned out.

We were honored to take on this project and honored further still by the artists we will be hanging beside in the hospital. WGHS has gone out of its way to feature original art, mostly by local and regional artists, in the new wing. We will be sharing walls with Guthrie Killebrew, Melinda Clair, Maragaret Reneke, Lamar Dodd, Keith Rasmussen, Vee Brown, Terri Codlin, and many more. In addition to purchasing local work and presenting works from the hospital's own coffers, they will be partnering with the LaGrange Art Museum to feature works from their permanent collection. While some states require that a certain percentage of the cost of new public building should go toward art, Georgia is not one of those. Kudos to WGHS and Ellerbe Beckett for going above and beyond.

show updates...we won!

Hello everyone! Many thanks to all of our new friends and dedicated collectors that made our 'Dogwood' and 'Magic City' great shows. We were delighted to be honored with awards at both shows...best in category for the former and a merit award for the latter.

Special thanks to our friend David D. in Atlanta who took home my personal favorite from our most recent collection, "Masters of the Universe" (oil on linen, 48 x 36). David is the best.

Magic City was a challenge as Saturday's forecast called for 'strong storms with the possibility of damaging winds, large hail, and tornadoes.' Huh. Show director Eileen made the very wise decision to shut the show down for Saturday, so Friday night we packed it all up. Sat. we went to the art museum (excellent) and the movies (date night, also excellent) then Sunday we had to set everything back up again for the day, work the show, and then break down again that night.

I'm tired.

We're finishing up a project today and tomorrow that I can't tell you about yet. It's a secret...maybe next week. Then we're on the road again for a whirlwind trip...Asheville to pick up work, Kansas City for a show, Knoxville to drop off for a gallery show, home for two days, back to Knoxville for the reception, on to Jackson GA that same night to set up for a festival, then home. Holy cow...beer me stamina.

Hoping to see you all somewhere soon!

OH, OH, OH Ps. I forgot to tell you that Genna and I are headed to Sausalito CA this September for our very first west coast show. I have no idea how to do this, so if you're an artist and you've done it before, I'd love to hear any advice.

new neutrals

I know its hard to tease out from our work what is mine and what is Genna's, but if you can you realize quite quickly that my palette is actually quite restrained. Most of the cacophony of color in our pieces emanates out from the underpainting.

In a few of our newest pieces, I am employing an almost completely neutral over painting. For example, here is our new "Upright Tarpon" (48" x 24"), finished day before yesterday:


If you look closely, my layer is almost entirely grey, black, tan, and taupe.

Another new one from this week (Boy Line, Bike Tangle, 48" x 36") sports a brand new color that I don't think I've ever touched before...a soft, peat-y, bunny rabbit brown that I think everyone will be seeing more of:



Have a beautiful day everybody!