newly wed (couple a day #23)

I'm sorry I forgot about you guys yesterday. Genna and I left for Miami yesterday morning and you just slipped my mind! We've made it here safely and with little trouble thus far. Last night we slept at a Holiday Inn that smelled just like the inside of an ashtray. We finished our set up today just ahead of a crazy nasty storm...excellent timing!

That's not what I'm here to tell you, though, right? Tonight I am posting my last 'couple a day' painting. I thougnt it would be appropriate to make it the only wedding couple I've ever painted (and may ever paint) since it's the eve of Valentine's Eve. This piece is from our "Inspirations" show that just wrapped up at 16 Patton in Asheville. There is a lovely little story about the couple that I'll tell you when I get home and can look it up.

See the hidden heart?

Happy Valentine's Day, all.

"Newly Wed", oil on masonite, 10" x 8", $300
available from 16 Patton Gallery, Asheville NC

Emerging (couple a day #22)

Today's offering is another version of our "Emerging" image. This one is a biggun, though.

"Emerging", oil on linen, 36" x 48", $2200

We packed up the whole studio today to head to Miami for the Coconut Grove show. 61 pieces in tow! Wish us luck...

On the Lawn (couple a day #21)

This little one is another of my oft' visited images. I believe I've called it "On the Lawn" each time I've made it. What I'm drawn to here is the big silhouetted tree shape up top and the great little chair that is always executed by carving in the negative shape.

Very WASPy, no?

"On the Lawn", oil on linen, 10" x 8", $300
I apologize for the yucky photo quality, this is much tastier in person.

porch sit (couple a day #20)

OK, everybody. I'm going to have to fudge a little this week. I had a call last week from my Kansas City gallery, Prairiebrooke. They are planning to feature us at their February 19th open house and need some new work. So, I've laid my couples aside and gotten to work for them (I'm photographing what I made for them tomorrow or Wed., I'll share). Prairiebrooke is a fabulous, family owned gallery...if you live in the area stop by and see Mike, Brooke, and daughter Megan.

I'm posting a couple today anywho. This is a favorite of mine that was out at a gallery for a while and has recently come home. It's underpainting free but is instead painted on a little cherry wood laminate panel. We had some flooring left over from our recently renovated library/guest room and broke it down for small paintings.

I love the color of this wood as it works perfectly for shadowed skin tones. I don't love it as my library floor, though. I've told Genna we're going to have to rip it up and make 2,000 little paintings. He loved that idea (ha ha ha).

"Porch Sit", oil on cherry, framed in black, 7" x 6", $220

cliffside (couple a day #19)

Today's couple is another tiny one. I'm too tired to chat about it, so have a great weekend!

"Cliffside", oil on linen, 7" x 5", $200

azalea portrait & green thumb (couple a day #18)

Today's couple is actually another pair. This is a new format for me (5" x 7") and I am loving it. By the end of the day today I think I will have made twelve this week. We're trying a new frame as well...they'll be gallery wrapped oil on linen presented in a 'floating' black frame so that you see a little of the painted edges.

I'm calling them "Singletons" in my head because the shape and size work best for single figures. Yesterday I was fantasizing about a whole show of singletons, maybe 200 or so, in a beautiful, clean gallery space. I'll let you know if that actually happens.

Girly is "Azalea Portrait", oil on linen 7" x 5" $200
Fella is "Green Thumb", oil on linen, 7" x 5", $200 (sold)

buff & beachcomber (couple a day #17)

Today's couple is another 'two-fer', a pair of 7" x 5" canvases. These are mine alone with no Genna flavor. Seeing these gives me a really clear idea of what Genna brings to the table...these are more subtle and settled without the jazz of the vibrant underpainting. I must admit that they're far easier to make! I draw on the white canvas instead of over a patterned ground then wash the drawings with color that I know will work with the final overlay of paint. It almost feels like cheating not having to wrestle the underlayers into submission!

The guy is "Buff", oil on linen, 7" x 5", $200
The gal is "Beachcomber", oil on linen, 7" x 5", $200 (or $350 for the pair)

blending in (couple a day #16)

So, this is the piece I was telling you I was really excited about last week. You're underwhelmed aren't you? Perhaps I oversold it.

The good and the bad about pursuing the same basic style of work for an extended period is that (for me anyway) changes come slowly. I have lots of time to fully explore and expand upon the set of ideas and parameters I'm working with. Day to day I see little change in what I'm doing, but year to year I see lots. For that reason I get really excited when I'm able to recognize even a small shift in thinking in a new piece.

So what's different about this one, right? I'm not quite sure yet. I believe it has to do with the overall porousness of the edges of the forms. Working on an active, mid toned ground pushes me to use super high contrast shifts to delineate shapes. Here I think I've managed to define the figures and separate out the levels of space without 'screaming' them into place. Maybe more about that later as I organize my thoughts.

"Blending In", oil on masonite, 16" x 12", $375 (sold)
(I don't love this title and am open to suggestions)

striped newlyweds (couple a day #15)

There are two full work weeks left until Valentine's Day and I'm nearly 'coupled' out. Ten couples left to go. I have to say, though, that this has been an excellent exercise for me. It's gotten me into the habit of posting, my posting habits until now have been sporadic at best, but better than that, it makes me think more about my work. It's helpful to be forced into applying a little verbage to a purely visual medium now and again.

Any-who. Today's offering is "Striped Newlyweds". As with many of the couple paintings, the actual subject matter here is entirely static...a little upright pair of figures with a horizontal horizon and some rectangular architecture behind. All of the action here comes from the big patches of underpainting, serving as organically shaped swatches of cloud and ground. While all of the elements in the composition are fully articulated, the spice is in the many purely abstract moments allowed to blossom all around.

It looks like they're standing on a rainbow.

"Striped Newlyweds", oil on masonite, 16" x 12", $375

on the rails (couple a day #14)

Today was a terrible day for pictures, but I think you can get the idea. This is "On the Rails" (oil on linen, 10" x 8", $300 (sold)); a study of wedges, rectangles, and stripes on stripes.

I finished something yesterday that has me tingly all over...something new I think. I'll post it tomorrow or Monday but I want to think about it a little more first.

gentlemen farmers (couple a day #13)

Today's couple is "Gentlemen Farmers", lucky number 13. The posture of these two characters is what drew me to this composition...they're both sporting a very natty, casual attitude. My favorite thing, though, was the guy on the left's tie tucked into his overalls.

Genna's underpainting on this one is a subtle gem. Well, the color isn't so subtle, but when you get a good close look at it has an overall striping underneath the soft oil wash layer that unifies the whole surface. Click on it for a larger view and check out the right guy's hat brim and shirt and the bushy areas to the right and left of their boots.

"Gentlemen Farmers", oil on masonite, 16" x 12", $375

emerging (couple a day #12)

Today's couple is an image that is easily in my top five most visited compositions. Sometimes I call it a variation of "Emerging", sometimes "Native Azaleas". It's been as small as a postcard and as large as a barn door, vertical and horizontal, chaotic and staid, peaceful and frenetic. Today's is particularly perky and energetic.

The reason I visit this composition so much is it's an excellent vehicle for improvisation. The couple is a little visual anchor surrounded by space that can be shaped and colored any which way. I also love the thought that they're a naughty little couple caught emerging from the woods.

This one is "Emerging, Entergetic", oil on linen, 20" square, $600 (sold).

luminous poolside (couple a day #11)

OH NO! I forgot to post my daily couple yesterday. Pretend today is Monday.

This is "Luminous Poolside", oil on linen, 36" square, $1800 (sold). I love this woman. She is so fan-tas-tically shaped.

I'm running behind today, so tomorrow we're going to pretend it's Tuesday.

striped in the alley (couple a day #10)

Every once in a while I make something that somehow I'm a little uneasy about. Maybe it's different in a way I can't quite identify, or maybe it's a little 'edgier' than the main body of my work. Sometimes those turn out to be ones I just never like and they get painted over. Other times they turn out to be pieces that are the beginning of a new direction. I think this may be one of those. I wasn't quite sure about it when I made it but it's growing on me steadily.

One thing I know for sure I like is that the couple has no paint whatsoever (what so ever?) on their flesh but are instead little people shaped windows into the underpainting. I love when that happens.

Happy weekend, everybody!

"Striped in the Alley", oil on masonite, 20" x 16", $450

leggy on the water (couple a day #9)

As promised last week, here is another study of my beloved 'leggy lady'. This one is "Leggy on the Water" (oil on linen, 20" square, $600). I've always been fascinated with this photo and how much tension is created with that flexed, extended leg. I want to take it on on a bigger format someday but haven't worked up the courage yet as it's one of those pieces that has to be JUST RIGHT or it won't work at all.

In this woman's defense, I do have some very demure shots of her, but they're just not as good!

Also, I posted the more professional pic. of "Boys of Summer" on the website this morning.

hottie vaca (vay-kay) couple (couple a day #8)

Today was absolutely nuts, but I still have a 'couple' for you. I made a version of this piece as a gift for Genna Christmas 2009. I think they're my sexiest couple ever! This one is "Hottie Vacation Couple" (oil on linen, 10" x 8", $300).

Our Kia Canada contact came to visit this morning with her COO (I have no idea what that stands for) and wound up at the studio at the same time as another client I had there discussing a commission. I can't tell you about the commission as it's currenlty a secret, but it's a much bigger thing than I originally realized. A few minutes before all of these people stormed the studio, I dropped a big plastic jar of clear gesso and it shot all over my pants/shoe/bathroom/in my sock. Tah-Dah!

friday couple (couple a day #7)

For those of you who have come late to the party, I'm posting a painting of a couple every weekday from now until Valentine's Day. Today's offering is "Friday Couple" (oil on masonite, 11" x 14", $375).

I've worked with this image several times before and always enjoy it. It's an excellent showcase for a big swatch of softly striped underpainting up top and features lots of tiny little figures in the periphery that I like to arrange and rearrange from one piece to the next.

Tomorrow is a big day...I have a client meeting at 10, brown bag lunch at the studio with some artist friends, and our Kia Canada contact is visiting sometime during the day to see Genna's setup and choose some pieces for the Kia Korea president to take back to Korea. Whew! I'm still going to squeeze in a 'couple', though, so see you tomorrow!

into the woodwork (couple a day #6)

Today's studio time has been a bit of a failure thus far. I just spent an hour gridding out and drafting a brand new image on a 24" x 36" canvas before figuring out that it just wasn't gonna work. Drag.

However, I banked a few 'couples' at the end of last week, so today I give you "Into the Woodwork" (36" x 36" oil on linen, $1800). This was my first large scale piece of the year, and it felt pretty darn good!

I've been thinking about why I enjoy painting couples so much and have come up with a few ideas. Because my figures have little detail in their faces, their main method of communication is body language. That is what attracts me to a photograph...the tension between figures and between those figures and their surroundings.

When there are only two figures in a composition, that tension is totally pure and draws much more focus. In today's piece, for instance, the gentleman is leaning back just slightly into the woman. In a more complicated, multi-figure composition, that would most likely be lost. Here, it's the crux of the whole image, echoed over and over again in the trees and other forms behind, all leaning into the middle.

I know I said a few ideas, but that's the only one I want to talk about right now.

I'm crossing my fingers and heading back to the easel (easle?). Wish me luck!

saucy duo (couple a day #5)

Today's offering isn't technically a couple, but I think they share enough of the same spicy attitude, palette, and compositional similarities to make a really great diptych. Check out that shape echo between his elbow and her leg, yum!

The photo I used for the lady piece ("Leggy", oil on linen, 10" square, $300(sold)) was from a large lot of photos I bought on ebay years ago. I have many shots of this same woman and she REALLY liked her legs. I'm working on another couple that features her leggy-liciousness today.

The male half of the duo is "Harley Guy", oil on linen, 10" square, (sold).

take five (couple a day #4)

It occurs to me that I've committed myself to something like 26 'couple' paintings. Yikes.

Today's is "Take Five", an oil on linen, 10" x 8", framed in black for $300.

I'm starting to itch for a larger format, so maybe next week there will be some bigguns to see. Have a great day, everybody!